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British Ceramics at Erskine, Hall & Coe
12 - 25 October 2023
Featuring over twenty works made from the 1950s to the present day, British Ceramics encompasses the beauty of all ceramic shapes and designs, from functional pots to sculptural pieces. This eclectic selection explores both the diversity and unity of ceramic art created by modern and contemporary makers in Britain.
Ian Auld
Gordon Baldwin
Richard Batterham
Joanna Constantinidis
Hans Coper
Ewen Henderson
Jennifer Lee
Jim Malone
Ursula Mommens
Eileen Nisbet
Lucie Rie
James Tower
John Ward
Link to website
Ian Auld
Gordon Baldwin
Richard Batterham
Joanna Constantinidis
Hans Coper
Ewen Henderson
Jennifer Lee
Jim Malone
Ursula Mommens
Eileen Nisbet
Lucie Rie
James Tower
John Ward
Link to website
‘Argilos’ at Carwan Gallery, Athens
Sep 21, 2023 06:00 PM - Nov 11, 2023 5:00 PM
The showcase encompasses both functional and non-functional ceramic pieces, most of which were specially commissioned by Fondazione Officine Saffi and are now part of its collection. Every artwork on display is pushing the boundaries of the medium, showcasing the limitless creativity, expressiveness, and plastic potential of clay, in a visual and material conversation between the past and the present.
Contemporary Ceramics at Newstead Abbey
Mar 4, 2023 10:00 AM - Oct 29, 2023 5:00 PM
This exhibition – which sits alongside the Crafted in Clay pottery trail – aims to give a partial and subjective overview of contemporary ceramics in Britain, with potters and artists selected by Tommaso Corvi-Mora, including Gordon Baldwin OBE.
Tommaso is the owner of Corvi-Mora gallery in London, which has championed the work of ceramic artists for many years. He is also an artist and his work features in the Crafted in Clay trail.
The work in this exhibition spans forty years, from the mid-1980s until today and also features two works from the 1870s by the Martin Brothers, early forerunners of studio potters.
The exhibition revolves around the work of artists who either focus on the vessel as a starting point of their investigation or who adopt the model of the studio potter – an artist following the whole process of making ceramics from beginning to end, working alone in the studio – to structure their own practice. In most cases both elements are present.